![]() ![]() I prefer the look of this compared to the Mutable Instrument’s Clouds, but I understand when you have over 100hp to play with. Okay, now if you want to read some griping about Blue Lantern, here we go. I also like the idea of being able to solder a module myself. A lot of DJ gear looks cheap like this as well cough Native Instruments cough. A lot of the $500 drum machines and synths that came out in the last couple of years looked good on youtube but looked to me like cheap kids toys in the music store. However, with Blue Lantern, I have never seen the modules in person so I don’t know. I feel like in both cases, the taste is justified by taking what is positive and negative in both approaches and addressing those issues correctly. I understand the idea of having a giant wooden system with knobs the size of your fist and maybe 1/4" patch cables, etc, etc.īut then there is the design of something like the 0-Coast. Despite other peoples opinions, I like the aesthetic designs and the crammed look. I keep looking at the Blue Latern modules. I just though I should keep sharing some of this because it might help me get to where I want to be. Since I am putting something together to be used off grid, it would mean I would need to worry about yet another battery pack.Įveryday I wake up and kind of get pulled in multiple directions, trying to figure out how to build something that is addictive to use, but also can churn out some finished work as well as be capable of manipulating fast enough in real time to perform with. For me, this presents the need to have another power supply though. Then you might start to think that the sequencing could be done externally on a elektron machine or a Beatstep Pro. But then the hp starts to get filled up again. I looked at other sequeners and found them interesting. I like the idea that I could lay out some tracks and save them – load em up and perform them while tweaking and adding fills. ![]() When I began considering this stuff I was looking at the NERD-Seq. But then I get thinking about stereo modules, because if I run everything through a mono compressor, including tracks I may have assembled in a DAW or whathaveyou, I loose my full sound. He also stressed the issue of sidechain compression and the need for the kick-drum to cut through whatever you are doing. mylarmelodies recently had a talk and he was adamant about having a switched mult, so he could have a fast way to introduce and remove channels/tracks/voices. So, if I move away from the theme of creating a toolkit for experimenting and get back to the goal of performing music, different priorities come into play. It seems like you can eat up a lot of hp and leave little room for mixers, compressors, effects, etc. ![]() That being said, in a small case where you don’t want to work with just one voice, I don’t think it is actually what I am looking for. Now, this brings me to “Make Noise.” From what I gather, the point is to experiment with various routing/component relations in order to conjure functions. ![]()
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